Alexander Harding

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Alexander Harding </title>
	<link>https://alexanderharding.co.uk</link>
	<description>Alexander Harding </description>
	<pubDate>Sat, 30 Jul 2022 13:57:08 +0000</pubDate>
	<generator>https://alexanderharding.co.uk</generator>
	<language>en</language>
	
		
	<item>
		<title>Nav</title>
				
		<link>https://alexanderharding.co.uk/Nav</link>

		<pubDate>Sat, 30 Jul 2022 13:57:08 +0000</pubDate>

		<dc:creator>Alexander Harding </dc:creator>

		<guid isPermaLink="true">https://alexanderharding.co.uk/Nav</guid>

		<description>Curating //
Image World&#60;img src="https://freight.cargo.site/t/original/i/a246371d5290a292e0291ba28233a49bbdc5ff5b1e9ee954ccc38a3afb61fd92/Alex-29.jpg"&#62;, 

Fuzzy Logic,&#60;img src="https://freight.cargo.site/t/original/i/36750725402f464bcb7b3742123f872cc6fc3b9661ef36d2768980d267a5f8ae/Alex-119.jpg"&#62; 

Going Away.tv: ‘Locked In’&#60;img src="https://freight.cargo.site/t/original/i/77464638f048ca6c2bf280d87462d4f0727459fba6cc3584e3d08328089995ae/Screenshot-2026-10-20-at-15.22.10.png"&#62;, 

Well Worn&#60;img src="https://freight.cargo.site/t/original/i/15dec445e92e294f2231cd373f00f907447f1f125bb0f92c8f57b125c35b7091/Alex-89.jpg"&#62;, 

Paint(consum)ing&#60;img src="https://freight.cargo.site/t/original/i/19fa7400b8e4f7eae3d988a7a060a3c356a2ab9cfddcb3e456373df3ccdf0f61/StratfordShow-17.jpg"&#62;, 

Goingaway.tv: ‘The Retreat’&#60;img src="https://freight.cargo.site/t/original/i/802d6c91311d3ffc8e7c70e9d63c4628ef883267aab84c76192e9dac30742689/46_AREBYTE-EditNEW111_v2.png"&#62;, 

Goingaway.tv&#60;img src="https://freight.cargo.site/t/original/i/ca93077573641b081bd1619d6f829afafe6da0e37e7db66e3d80bdc453f6a42c/Screenshot-2026-10-20-at-15.30.58.png"&#62;, 

False Friends&#60;img src="https://freight.cargo.site/t/original/i/9c2d758ab5522cbee915dc76fad833a72e069285598889dad40d51cc39116003/edit6.jpg"&#62; 


Writing //

‘Desert of Promise’ @ Alma Pearl, for Art Review (review)&#60;img src="https://freight.cargo.site/t/original/i/009228067ef0db0a42d89fb46eb1373cc0495eb71730d590d4f3349b6aa5e3a8/f260908-AlmaPearl-9-DSCF2339-copy-1536x1232.jpg"&#62;, 

‘Bizarre Life’ @ Niru Ratnam, for Art Review (review)&#60;img src="https://freight.cargo.site/t/original/i/c70af82c74b3c154c5e91ddff82405cd6235f5ed1aec39fedf4c18894c62dc24/fNiruRatnam_Ref-17884-7-1536x820.jpg"&#62;, 

‘Staying Alive’, Interview with Jamie Scott-Dyson, for Corporate Euphoria (interview)&#60;img src="https://freight.cargo.site/t/original/i/d7d9038595e9a635eddaff28ed519e454bd72d007d18006b2e9d8f54206d96f3/85591D40-E170-4D8C-A269-FBADFF945103-1.jpg"&#62;, 

‘They’ve Got Your Eyes’ @ Josh Lilley for Movr (review)&#60;img src="https://freight.cargo.site/t/original/i/ec930da2193c198afcd7cd2a89e6e542b02741125293fa0d5720d8201a8761eb/Rachel-Maclean-installation-70-1.jpeg"&#62;, 

‘Corporate Failures’ (essay), 
‘Received in Distraction, the Second Screen, as Curatorial Apparatus’ (essay),&#38;nbsp;‘Small Fabric’, text for Lizzie Munn’s exhibition @ Patrick Heide Contemporary Art (companion)&#60;img src="https://freight.cargo.site/t/original/i/24ccb77d4362e550d49c597b453a651ead6f9d288948cb9779cc7a608c78309e/260319-PatrickHeide-DSCF6360.jpg"&#62;, 

‘Strong Water’ @ Camden Arts Centre, for Art Review (review)&#60;img src="https://freight.cargo.site/t/original/i/c786eeb20c224e619696699e483b318972155327e210be83e0dbcf3cf555f119/Installation-view-of-Nat-Faulkner-_Strong-water_-at-Camden-Art-Centre-2026.-Photo-credit-Rob-Harris.-High-res-22.png"&#62;, 

‘Show Less’ @ Mimosa House, for Art Review (review)&#60;img src="https://freight.cargo.site/t/original/i/1f5849a9f14c3723c7c77cdf62f5e0d9e52451c1524618cc1f76352e5b00140e/MimosaHouse-ClaireFontaine-ShowLess-by-Christa-Holka-9Oct25-339-copy-1536x1025.jpg"&#62;, 

‘Weathervanes’, text for Tobias Francis’ exhibition @ AYE Gallery (companion)&#60;img src="https://freight.cargo.site/t/original/i/068b73c69bcb4df8e918f88a31c68b7492cd60757f13cb549e7c7a05f1b79f98/Tobias-Francis--Spanner-Time-2025--Oil-mica-powder-and-marble-dust-on-canvas-30-x-26-cm-scaled.jpg"&#62;, 

‘The Totalists’ @ Albion Jeune, for Art Review (review)&#60;img src="https://freight.cargo.site/t/original/i/e5af550238c115f395b3a4cbee8e6b722fcdd04ec56292fec42d7c1d9e2830c0/pdoom2-2025-copy.jpg"&#62;, 

‘The Whole Routine’ @ London Performance Studios, for Art Monthly (review)&#60;img src="https://freight.cargo.site/t/original/i/746cd4d29dc5090533a986375b74c78ce0711495468ab3583ef2d43cb3a8f3c2/471822.jpeg"&#62;, 

‘Sleeper’, introductory text for James Clarkson’s photographic essay, (publication), 

‘75th New Contemporaries’ @ ICA, for Art Monthly (review)&#60;img src="https://freight.cargo.site/t/original/i/ec8dd5f027f28ab60c1eae7c82e4473cc6295d89d1124449f9e3e22a617a56d5/10457.jpg"&#62;, 

‘Sammy Baloji’ @ Goldsmiths CCA, for Art Review (review)&#60;img src="https://freight.cargo.site/t/original/i/31aa77f1d747bd75488eef15ec11180614373fe6ae83e6940c02630dd968ca94/Goldsmiths-CCA-Sammy-Baloji-High-Res-25-copy-1536x1025.jpg"&#62;, 

‘The Seer, The Seen’ @ Herald Street, for Emergent (review)&#60;img src="https://freight.cargo.site/t/original/i/c0a0e495b05d9418d8a35fab319dde3a1e9911d95dd1888163617dd57e50f4a4/675adb7348fc6757708cc958_675adb3ae592e775942021c6_ways20of20seeing2010.jpeg"&#62;, 

‘Albedo’ @ Brunette Coleman, for Frieze (review)&#60;img src="https://freight.cargo.site/t/original/i/5925c2595abf86f4f69b7057459e4cdb0c8e6b7effe7cb519ae181d9edf9402c/NatFaulkner_Ref-1668-86.jpeg"&#62;, 

‘Painted on The Wall of The Inn at Marlotte’, text for Jordan Derrien’s exhibition @ Des Bains (companion)&#60;img src="https://freight.cargo.site/t/original/i/63ead49abd57ab0719e5ab5212eeb344e6e7992312c327b7eca47535c0e89d1d/6687a2aff55b676760254a9c_JordanDerrien_Ref-1270-7-p-2600.jpg"&#62;, 

‘Misconstructary’ @ The Sunday Painter, for Emergent (review)&#60;img src="https://freight.cargo.site/t/original/i/892648be9361d2f78c28778a4c3fc91467af51c9c97467f092c305ec9cef4637/660c1425e0c9900a0e915128_1.jpg"&#62;, 

‘Downward Facing, Innermost Forever’, text for Jack Robert’s exhibition at Michael Pennie Gallery (companion), 

‘Four years on from ‘the worst year ever’, Condo is back’, for Plaster (article), 

‘Days’, text for Nat Faulkner’s exhibition at Roland Ross (companion)&#60;img src="https://freight.cargo.site/t/original/i/15effd0f71013c54e45c1348fe5f10403a8da3885873940cf9475796519e3c80/89016228-f754-4aea-978f-f68eb6801474_1280x960.jpeg"&#62;,

‘Beginning to Slip’ @ Roland Ross (review) &#60;img src="https://freight.cargo.site/t/original/i/15effd0f71013c54e45c1348fe5f10403a8da3885873940cf9475796519e3c80/89016228-f754-4aea-978f-f68eb6801474_1280x960.jpeg"&#62;, 

‘Tripping Over My Joy’ @ Pillar Corrias, for The Bitter Sweet Review (review)&#60;img src="https://freight.cargo.site/t/original/i/7057ed19ac13bbc63fa5c5f2299552fac0d8a97765075be0a61428cf7b069fe3/christina-quarles-_-tripping-over-my-joy-ph-by-andrea-rossetti-3-.jpeg"&#62;, 

‘Stone Soup’ @ Roland Ross, for Art Monthly (review)&#60;img src="https://freight.cargo.site/t/original/i/7d7cd08f33d98f63bf0b6935fac9d02544179b3ec50f1894574bb4a892544234/RolyRoss-StoneSoup-Web-51-2000x0-c-default.jpg"&#62;, 

‘Event On The Downs’ @ Hales Gallery (review)&#60;img src="https://freight.cargo.site/t/original/i/be72a22246bb22f424a08667526f93f6abf0d46c5782029705440a1d61b3b5a8/84406911-e3b6-4185-9525-737a758e8353_2468x1642.jpeg"&#62;, 

‘No One Owns The Moon’ @ The Function Suite (review)&#60;img src="https://freight.cargo.site/t/original/i/918f1d6a890a8247a1279a421337a835333b7e70887ac6a68f78e423678f0890/b1407473-9a55-42ac-9130-2c5564ec9ea7.jpeg"&#62;, 

‘Wanda’s’ @ Nicoletti (review)&#60;img src="https://freight.cargo.site/t/original/i/8608a05699b0bfd6ec92ee9b548bfc48bd056f2767e4820fd0cffee3931167b5/9c03cb19-4108-4e6b-922f-1ab8bf623183_2048x1365.jpeg"&#62;, 

‘Painting(consum)ing’ (companion)&#60;img src="https://freight.cargo.site/t/original/i/53c39780c58c7c836e6dfa2b52bdad962769e72f900a6ebd847156eb8de6a20a/StratfordShow-9.jpg"&#62;, 

‘Crime Fantasy’ (companion)&#60;img src="https://freight.cargo.site/t/original/i/19e47527624d14e72bf880c02b0f053ff1e69af09080338e00f6a659eb713307/Exhibition-Poster.jpg"&#62;, 

‘If You’re Beside Me Why Can’t I See you’ (companion)&#60;img src="https://freight.cargo.site/t/original/i/e9affe20bf938b01684684705f70c1750878b0fb628ae2bf66e8894266ecbe8e/3d9e243e-b186-4851-99d6-584b012bbb90_1170x765.jpeg"&#62;, 

Interview With Rae Hicks, for thisistomorrow (interview)&#60;img src="https://freight.cargo.site/t/original/i/1d664d5ef0764b0d5c5b9ab57b36474ba36af113285762b2d7839e28ef66c686/new_town_rae_hicks__large.jpg"&#62;, 

‘Painting/ Compiling’ (companion), 

‘Access x Job Centre’ (companion), 

‘06’ @ PM/AM, for thisistomorrow (review)&#60;img src="https://freight.cargo.site/t/original/i/507dd80f343ff6b393809b8c9951f3a0bcf0928b6a27c499f8ad2fd1ff3d2e07/_dsc6960hr_lc__large.jpg"&#62;, 

‘Can We Still Consider The Photographic Image A Material Witness?’ (essay)&#60;img src="ADD_IMAGE_URL_46"&#62;


</description>
		
	</item>
		
	</channel>
</rss>